eBooks II: The Epistle to the Publishers

07/07/09

Having berated the consumer/reader for expecting a free lunch, I thought it was time I examined some other diners…

Publishers. I love you all. But see, here, chaps and chappesses: not all is right with the world.

As my dear, departed, and larcenous grandsire might have said, you are trying to sell a pup for the price of a pooch. More plainly:

eBooks as they’re put together right now are an inferior product, priced as a superior one.

They are less attractive to look at than dead tree books; often badly set and transcribed or reformatted; cannot be touched or dawdled with, nor doodled upon or easily marked up; cannot be shared easily; require a power-source; cannot be dropped in the bath and dried out; require an account; require the right software and the right operating system… so why are they more expensive than paperbacks?

A couple of issues:

DRM

Yes, I know. It makes you feel secure. The thing is, it costs money and it doesn’t work. DRM gets cracked as soon as anyone wants it cracked. It is sold to you as armour and it is made of lace. Sexy as that combination would be in the right context (settle down in the back) DRM is not a positive addition to the book world. All DRM does is make your product worth less to the reader/consumer, increase the amount of faffing the reader has to do to get the eBook to work, and hike your administrative costs. Even people who see a use for DRM want it to disappear.

So, thoughts on this, off the top of my head:

Co-opt booksharers. Make it a feature. Build a system of recommendations, the ability to lend (multiple but finite copies of) books to friends (with an option to buy after three chapters, otherwise it goes Freemium), give rewards, sell an enriched text with features which require an online account, sell the paperback with an eBook version as standard. Borrow from the iTunes model, where you can have the product DRM-free at a higher price. Consider selling books as serials, by chapter, the way people did when Strand Magazine was pushing Conan Doyle.

Experiment!

It strikes me that from an industry point of view, you can’t just throw books-as-files at the world and let someone else take care of the rest. You need to innovate, to own the dialogue – and not because you have the power of a big corporation, but because people are hanging on your every utterance, the way they do with Apple. You need to be vertically integrated. You need multiple revenue streams. You know all this better than I do…

I don’t ask for much, do I?

Ultimately: don’t cage the product. Make the product better and easier to access, so that the overall experience of buying an eBook is better than downloading a rip-off one. (And will someone please start building giant tortoise libraries? Thank you.)

Pricing

Here’s a direct quote from the comments on my other thread on eBook pricing, in which I wondered – as I still do – whether we as a consuming public (or however you want to describe the mass of people who buy manufactured items and entertainment) have lost track what things are really worth:

I wouldn’t pay more than $10 for an eBook, because at more than that, I want more than I’m getting. I want a dust jacket, I want something physical. There’s an inherent belief (and I agree) e should never cost as much as its old world equivalant. You really do get less.

He’s right. You do get less. And often you get it for more.

In the UK, the government has somewhat insanely decided that eBooks are subject to Value Added Tax, which paper books are not. That’s a hike, in normal days, of 17.5% – right now it’s 15% because apparently that 2.5% VAT reduction is curing us of the recession. So if you assume a price of ten quid on a big paperback, the eBook priced exactly the same way at source will cost £11.75 when it hits the shelves. Well, okay, not exactly because that’s not quite how it works, but the problem is clear: eBooks are at a substantial competitive disadvantage.

Get lobbying, people. You are not all small independent houses. Many of you are large, world-spanning corporations with considerable muscle. Talk to whoever you talk to and make this an issue. It’s a bit mad, and it’s out of whack with the whole Digital Britain thing. eBooks should be getting a tax-break to encourage a new profit centre, not being cudgeled because HMR&C thinks they’re software.

But in the mean time, look: an eBook as things stand is an inferior product (see above) so it shouldn’t be priced as if it was the gold standard version (or at least, the hardback). The virtues of eBooks are storage and portability, and – if you have them on your iPhone as I do – reading in the dark. They could be other things, too, but as of now they’re just not. So the price has to reflect that. If it doesn’t, people will crack your DRM and laugh at you the way kids (including your kids, and I know you know this) laugh at the record labels.

Off the top of my head:

There isn’t going to be a mass exodus to eBooks from paper just yet. The technology is a bit clunky – so experiment now, learn now, while there’s time. And do not, ever, get into this kind of nonsense (2, 3) because it will make people hate you. For the moment – and I’m not sure how long this situation will remain – eBook sales may be additional rather than substitutional, and no one is geared up yet to make a total move to digital print. So you’re not damaging your core market here, you’re working to shift an additional product and to discover how it will work as it becomes more important.

Key point: stop thinking of the eBook as a cheap spin-off of the paper book. It’s a new, powerful thing, not something which is created simply by converting the .pdf of the novel to an ePub file. It has the potential wreck your (our) industry or to move it into a new form, or to work alongside the existing structures. What is almost certain at this point is that it’s coming, and if you don’t get on board whole-heartedly, somebody else will.

Today’s eBooks are your loss-leaders and your market research for what’s coming. This is where you earn customer loyalty and demonstrate acumen and innovation, make your eBook experience better than anyone else’s. This is where you can figure out what to do so that when it matters you have the best approach possible. You will not do that by putting an over-priced, user-unfriendly product out there. The first publisher who breaks ranks in the right way will steal a march on the opposition which may take a long time to claw back. So get your thinking caps on…

When you have an eBook product which is worth the money, people will bite your hand off to pay the right price for it. Otherwise, it’s more likely they’ll just bite you.

11 Comments to “eBooks II: The Epistle to the Publishers”

  • Bart said on July 7th, 2009:

    I generally agree with your sentiments, but I don’t consider e-books an inferior product. Most mass-produced paperback fiction books (which is probably what most people read) aren’t all that special once you get past the pretty cover. Sure you can mark them up (which decreases their value for sharing) and highlight things, but you can do that on the Kindle too and your highlights and notes are a lot more portable. On my blog I actually started posting the items I highlighted on my Kindle, which I would never do with things I highlighted on a paper book (since the Kindle actually saves my highlights to a text file):
    http://www.itistyped.com/tag/highlights/

    You can also search text in an e-book, which is invaluable. If I don’t remember who a character in a book is, all I do is start typing their name and I’ll see all the previous passages where they were mentioned. The fact that I can also look up definitions of words as I’m reading, without needing to stop my reading and find a dictionary or go to dictionary.com on a computer (if I’m near one or have service to my iPhone) is also invaluable.

    I’m surprised that so many technology-minded people brush over these advantages like their insignificant. And how quickly everyone’s shunning the technology in its infancy. I don’t think the Kindle is perfect (and I hate Amazon’s DRM), but there’s not going to be a future for e-books if everyone’s going to wait for the perfect device. I didn’t wait for the iPhone before getting my first cell phone…

  • Kat Meyer said on July 7th, 2009:

    Nick – have you been peeking at Quartet Press’s biz plan? We are totally on board with your take on things ebook. Our big plan is to definitely offer up the highest quality, best-looking, and hopefully soon — many-featured ebooks in the euniverse. Our thinking caps are on.
    And, since we are starting this anew, with no print baggage to convert, we’re going at this as if it matters now. Well, because it does.
    We want to make readers happy, we want to keep authors out of the poor house, so pricing and author compensation are a huge deal for us. We’re also immersing ourselves in a world where marketing is all about facilitating communication with and between readers and authors and publishers.
    So, you wouldn’t happen to have a romance novel in you, would you? ;)
    ~ Kat

  • Nick Harkaway said on July 7th, 2009:

    Paul – I also didn’t mention what is, for me, the absolute zinger: access. I can have a book in under a minute rather than having to make a trip to a bookshop – something which probably ought to be factored into people’s price calculations, but never will be :)

    The tech is, as you say, new. It will get better. Which is why this posting is a little biased in one direction, in much the same way that the last one was biased in another…

    Bottom line: work needs doing.

  • Nick Harkaway said on July 7th, 2009:

    Kat – shshshh! Jason Arthur will hear you and I’ll be in trouble :)

  • allan said on July 7th, 2009:

    Crying about scriptoriums having to close did not stop Gutenberg presses. There is great beauty in a hand illuminated manuscript, but still they fell before the new king, technology. Another reign is ending.

  • Nick Harkaway said on July 8th, 2009:

    Allan –

    My first reaction was that that was a gross oversimplification. Thinking about it a bit more, I’m more interested. Gutenberg’s press resulted in a massive increase in literacy and a huge upsurge in the number of people who were able to write – so actual physical writing didn’t suffer at all. The control of the written word by the Church, on the other hand, came to an end in short order.

    I don’t see much merit in the teleological notion that one medium replaces another and there’s simply nothing to do but watch. Culture is not deterministic or mechanistic, it is influenced by circumstance and mood. The technology which gives us TV lends itself to news, entertainment, surveillance, medicine, communication, and so on. That it’s primarily a broadcast medium is owed to any number of factors, not the least of which is the direction our culture was going when it was developed. The medium may be the message, but the technology is created from the science and becomes the medium through the filter of the existing and aspiring world. It’s your old hermeneutic reinsertion working away. (Take that, Giddens! I was too listening in class…)

    The decisions we make now – and which publishers make now – will shape the new age of text and whatever lies beyond alphabets as we understand and use them today. Even incidental decisions could have considerable consequences. I think a little thought beyond “viva la revolution” is probably worth while.

  • [...] eBooks II: The Epistle to the PublishersLordy, how many times do we have to say it before the publishers start listening? [...]

  • Tremayne said on July 9th, 2009:

    Nick,
    I wholeheartedly agree with you – I am a publisher and I think pricing close to hard copy book levels is ridiculous. With e-book technology still in its infancy there is little more we can do than upload a PDF and convert it into an epub file. Until Kindle and Sony sort out their search and content functionality ebooks will be mainly limited to fiction.

    We publish our guides at £13.99 – we sell a digital version on our website for £4.99 – we will sell our mobile phone apps at £4.99, we would like to sell our ebooks at about £7.99. Although that depends on what slice of the cake Sony and Amazon would like to take.

    Roll on the next generation of ebook readers, we need colour and the ability to support images, then I can download my monthly magazine subscriptions as well.

    The publishing industry is in danger of repeating the same mistakes as the music industry – after all, as you say, if someone wants to crack a DRM file, it takes a matter of minutes and then we can share files at will.

    By the way, good to meet you at the cricket on Monday.

  • [...] websites I’ve ever seen. It is so pretty (and clever) it momentarily distracted me from the awesome post he has written calling on publishers to get their act together on eBooks. It strikes me that from [...]

  • [...] a deal is a deal, even if it’s not as good of a deal as you may have originally thought); and the second of which wherein he rails on the evils of DRM, lets publishers know that what often passes for an ebook [...]

  • Penny Reid said on July 10th, 2009:

    Hi Nick,
    I agree with so much of what you are saying, apart from the ebooks being inferior, they are just new, and I’m working on improving how we produce them to create better looking files. I also concur personally on DRM, but can understand the company position. How would you feel about making Gone Away World available DRM free? I’m sure if we spoke to the right people we could make it happen.

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