Okay, the most important thing: comfy cinema.
I am in any case a huge fan of comfy cinemas. There is very little I hate more in day-to-day life than going to a cinema where hideous lumbar pain becomes an issue just after the credits and continues to distract until my entire body goes numb at the start of the third act. In this case it is particularly important because this is not a short movie, and because the occasional vision of shattered tibia poking out of someone’s body is going to cause you to slosh around a bit.
Also, pee first. Although, if you positively have to pee, just do it. This is not a movie where you will suddenly miss a vital clue and get confused.
I’m not going to review this in a grown-up way. I’m just going to tell you stuff. I don’t review because I’m not good at it and the process messes with my head while I’m watching a movie or reading a book or whatever. It transforms the experience, which makes what I write about what I’m reviewing meaningless.
[And please note that when I say I'm not going to review this movie in a grown-up way, that does not mean that this post is suitable for children. The movie's a film for adults. We're going to be talking grown-up stuff. Okay?]
The Good:
The opening credits, Watchmen sneaked into core moments of US history.
Rorschach’s mask.
Doctor Manhattan.
The soundtrack.
Adrian Veidt.
The look of the thing.
The Bad:
Stiff supersuits. Remember when Michael Keaton did Batman and could barely move? Yeah.
Doctor Manhattan’s penis. It’s a respectable penis. It never behaves badly or does anything overtly to alarm you, but it moves in this weirdly hypnotic, predictable way. Either it’s a computer-generated penis and the penis-simulation algorithm is not good, or Billy Cudrup has a penis which swings and bounces in exactly the same way each time. Although I suppose possibly they just cut and pasted a single take of Billy Cudrup’s penis onto every nude sequence. Maybe it’s even deliberate. All I can say is that any movie which features a giant and self-replicating naked man seen full frontal, the penis is going to be a focus of attention, however briefly, and this penis, while in no way a bad penis for itself, is a penis which appear to have very little in the way of expressive range.
Oh, boy, was that discussion longer than I intended when I started typing.
The violence. I don’t usually object to on-screen violence – although I do have a continuing fury about the fact that we’re okay with showing fractured tibia but we get grinchy and horrified about sex – but this was distracting and grue-y without being cool (see also point one: stiff super-suits). It looked kinda video-game, too. But I’m a fight-scene fusspot. I love Le Bossu. I love Jackie Chan. I even love the amazing (almost Chaplin-ish) sequences in The Transporter. This didn’t do it for me. Sorry.
The Kinda Weird:
The group hug at the end. (You’ll know when you see it.)
The absence of the squid. Seriously? Squid makes more sense. Squid scarier. Squid also a new visual. I want my goddam squid. And I honestly went in there thinking the squid thing was a complete waste of time and energy. Yeesh. Who knew?
The moderately hot sex. A bit hot, a bit weird, and rather more of it than I was expecting. Of which I think I approve, in that it least maintains a sense of balance regarding sex and violence. Although to be at the same level as the violence they’d have had to be copulating on the Oval Office desk, with feathers, and a trained yogic dance male/female/other sex troupe.
The pacing. Is weird.
The Verdict:
Dude, honestly. I have absolutely no idea. It’s a thing. Much has been said about it, much more will be said. I was not appalled. I think it was too long and somehow didn’t hit the mark. On the other hand it was not a crushing horrible waste of life either. Maybe Moore was right. Because I would love to see what they could have done adapting that story for eleven hours of TV or cutting it for two hours of cinema tops.
Memories:
Adrian Veidt’s assassination.
Doc Manhattan’s boy parts.
That woman’s leg.
The quasi-ironic sex.
Thinking – as I did when I read the novel – this is Rorschach’s story, because in some weird way it’s between him and Doctor Manhattan and Adrian Veidt. Doc’s god, Adrian’s… something… and Rorschach is the weird little looney who won’t quit. He’s human where the other two ain’t. It has to be. And yet, it’s not.
The Brownie:
Actually we had sticky toffee pudding, and it was awesome. Although I wished at the time that they would serve ice cream with it.

